“Bishōjo Senshi Sailor Moon – Punish Them! The House of Fortune is the Yōma Mansion (episode 2)” (1992)
Where’dshe go? Abstracted Sailor Moon is abstracted.
Following:
Fuck Yeah, Victorians!
“Bishōjo Senshi Sailor Moon – Punish Them! The House of Fortune is the Yōma Mansion (episode 2)” (1992)
Where’dshe go? Abstracted Sailor Moon is abstracted.
While it’s not going to win any awards for elegance of composition what Sam Gilbey’s wonky dream-memory of a poster for Rebecca Thomas’ Electrick Children has done is made me sit up, take notice and want and make plans to see a movie I had otherwise no particular interest in (and risk it turning out abrasively hipster à la Kaboom for the chance of finding something else gloriously hipster à la Les Amours imaginaires), i.e. what I’ve been naïve enough to still think posters were primarily for but which UK distributors seem particularly to disagree with me on. Otherwise why have Picturehouse Entertainment themselves commissioned this yet all they have on the sides of cinemas to represent the picture is just another sad excuse of nondescript computer-typeset text slapped on a still (or, possibly and worse, a Photoshop botching-together of some) that so many UK quads are?
One of a few covers by Ruben Toledo for Penguin Classics’ Graphic “Deluxe” Editions, the reason for the quotation marks being that they are only available in paperback.